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Table of Contents
1 INTRODUCTION 1.1 Biographical Summary 1.2 “Mad Madge”? 1.3 The Critics Speak
1.4 Reconstructing Cavendish 1.5 Notes on Terminology
2 THE FEMINIST PROBLEMATIC 2.1 The Seventeenth-Century’s Woman Question
2.2 Cavendish and the Feminist Tradition 2.3 “Ambition of Extraordinary Fame” 2.4 Alienation from Conventional Female Culture 2.5 Cavendish’s Feminist Dilemma
2.6 Cavendish’s Feminism: Problem Definition 2.7 Cavendish’s Feminism: Problem Solution
2.8 Advancement over Arguments of Querelle des Femmes 2.9 Limitations of Her Feminism
3 THE “TRIANGULAR COUNTENANCE” OF DISCOURSE 3.1 Publication as Power 3.2 Breaking the Bounds of “Sociable” Discourse 3.3 Confronting the Dominant Patriarchal Tenor of Literary Expression 3.4 “Natural Rational Discourse”
3.5 Vision of “Complementarity”
3.6 Fusing the Discourses of Fiction, Fantasy, and Fact
3.7 Infusion of “Feminine” Self in Discourse of Object 3.8 Return to Copia 3.9 The Taming of Her Discourse? 4 A (RE)FEMINIZED NEW SCIENCE PROJECT: 4.1 A Question of Metaphors
4.2 An Early Ecofeminist Critique of the New Science 4.3 Cavendish’s Ecofeminist Alternative 4.4 God the Father Versus Mother Nature 4.5 Theory of Human Generation 4.6 “Extravagant Atomes” 4.7 Doctrine of Matter and Motion 4.8 The “Triumvirate of Nature” 4.9 A Different New Science Methodology
5 “IMAGINATIONS OF IMPOSSIBILITIES” 5.1 Beyond the Confines of Reasonable Discourse 5.2 Cavendish’s Romances 5.3 Cavendish’s Utopias 5.4 Changing the Dimensions of Physical Reality 5.5 The Politics of Fantasy 6 CONCLUDING REMARKS Appendix A THE SEVENTEENTH-CENTURY CONTEXT: A.1 Changes in the Division of Labor A.2 Women’s Burgeoning Participation in Science and Technology Pre-Institutionalization A.3 Counterforces Driving Women from Positions of Authority and Control in the New Science Movement
A.4 Women’s Newly-Subordinated Role A.5 The “She-Philosopher” Appendix B THE SEVENTEENTH-CENTURY CONTEXT: B.1 In Search of the Ultimate Masculine Register B.2 Reconstructing Eloquence B.3 Reconstructing Rhetoric B.4 Reconstructing Metaphor B.5 Suppression of Copia B.6 Preference for Classical Rhetorical Model
1. Primary Sources 2. Secondary Sources |
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