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© August 2005
revised 26 June 2008 |
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GALLERY EXHIBIT This is a companion exhibit to the IN BRIEF topic on phronesis, and supplements discussion of prudentia and rhetorica elsewhere on the site. While acknowledging that
recent scholarship, “concerned with returning to an Aristotelian formulation of phronesis” (“emphasizing rational deliberation, its ultimate goal of happiness for the larger community, and its eternal ability to adapt to contingent circumstances”) has tended to equate phronesis with prudentia. For example,
This GALLERY exhibit juxtaposes various images of phronesis from the Renaissance and early modern period in order to recover an alternative “phronesis-based art of rhetoric” that emphasizes the practice of consilium (“good judgment” or “good counsel”) rather than prudentia. Unlike prudentia, phronesis has no female figurations of which I am aware. And this male-dominated tradition of iconography would appear to confirm women’s complaints through the ages that “our counsels are despised, and laught at,” as Margaret Cavendish phrased it in an address to the “Most Famously Learned” in 1655. “Good counsel” combining knowledge, wisdom, understanding, and virtue with decorum or propriety in its delivery is among the most valued of social goods in any human community. The fact that patriarchal cultures would associate such a highly-developed human quality with men more than women is not surprising, especially given women’s unequal access to the social conditions that elicit practical wisdom in the individual. TOPICS: the allegorical use of the female form; the collective intellectual; early models of the social individual (vs. the bourgeois individual); the applicability of a neo-Aristotelian model (“predicated on a small city-state of a few thousand people”) to modern societies with populations in the tens and hundreds of millions
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