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© August 2005
revised 26 June 2008 |
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GALLERY EXHIBIT This exhibit is another companion piece to Flecknoe’s Letter XXIII from A Relation of Ten Years Travells in Europe, Asia, Affrique, and America (e-text in the library, LIB. CAT. NO. FLECK1656). Like many another ocean-going traveller, Flecknoe experienced the drama of “Flying Fishes at Sea” with emotion:
The exhibit juxtaposes verbal and visual descriptions of flying fish from multiple sources: philosophical travellers to the East Indies as well as the West Indies; bestiaries; map insets; printer’s marks; and one of the earliest works of ichthyology, Francis Willughby’s De Historia Piscium (1686). Of note, Kircher’s account in China Monumentis (1667) of a Chinese variety of flying fish, unique to the China Sea, would arouse special interest in the subject within late 17th-century scientific circles. Kircher opens with:
Puzzling over possible explanations for “the changed temperament of the fish,” Kircher speculates that
A book review of Kircher’s China Monumentis published in a 1667 issue of the Royal Society’s scientific journal, Philosophical Transactions, took special note of Kircher’s extraordinary flying fish:
It was exactly the sort of odd detail and provocative theorizing to attract further scientific comment and inquiry. TOPICS: the influence of the artist’s true-to-life study (“true Designes drawn after the life,” as described by Evelyn) on the development of scientific illustration; the growing interest in nature study, including comparative ethnobotany; collections of “rarities”; popular interest in the exotic travelogue; the role of naturalistic drawings (of American Indians, fish, plants, birds and animals) in easing exploitation of peoples and resources by systematizing the new and unknown; new science syncretism (e.g., explanations of how natural and human diversity arose from a common origin)
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