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© January 2005
revised 26 June 2008 |
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Maria Sibylla Merian (16471717) |
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Maria Sibylla Merian was born in Frankfurt am Main, Germany, the daughter of a Dutch mother and a Swiss father the engraver Matthäus Merian the Elder, whose publishing business (inherited from his first wife) specialized in city views and landscapes. When Merian the Elder died in 1650, he left the publishing business to Maria’s mother, who married the Flemish flower painter, Jacob Marell, a year later. After moving to Nuremberg (birthplace and home of Dürer) in 1670, the adult Maria would return briefly to Frankfurt before moving to Holland with her two daughters (Johanna Helena, born in 1668, and Dorothea Maria, born in 1678) and widowed mother: first to West Friesland in 1685, and then to Amsterdam in 1691. In Amsterdam, Merian became acquainted with Caspar Commelin, director of the Botanical Garden, and with owners of scientific collections such as Frederick Ruysch, whose daughter Rachel she would have met as well. Of note, Merian became a Labadist in later life (a Dutch evangelical sect which also attracted the very learned Anna Maria van Schurman, and the man-midwife Hendrik van Deventer, whose religiously-inspired practice of the art would transform European obstetrics). Merian’s most important illustrated books include Florum Fasciculi tres, first series, 1675; Der Raupen wunderbare Verwandlung und sonderbare Blumennahrung, first edition, 167983; and Metamorphosis insectorum Surinamensium, first edition, 1705. Merian claimed an avid interest in insects from childhood, and her cataloging of indigenous insect, plant, and animal life in the Dutch colony of Surinam in South America (Dutch Guiana) was highly acclaimed. Aided by her two daughters (Johanna Helena was already living in Surinam as the wife of a Dutch merchant, and Dorothea Maria travelled with her mother from Holland), Merian worked in Surinam for two years, residing there as the guest of a Labadist plantation, with her scientific research funded by the city of Amsterdam. Ill health forced Merian to return to Amsterdam in the summer of 1701, along with the records of her research to date: illustrations on large sheets of parchment, comprehensive notes, preserved butterflies, and flower bulbs. Merian’s scrupulous study of the exotic flora and fauna of Surinam, with its 60 large plates, engraved by three Dutch artists after her own watercolor studies, was finally issued in 1705 under the title Metamorphosis insectorum Surinamensium, and advertised prior to publication in volume 23 of the Philosophical Transactions of the Royal Society of London. Clearly, there were many potential subscribers for Merian’s superb book on the exotica of Surinam among the journal’s established international audience. The price to English subscribers was 30 shillings; Dutch subscribers were charged 15 guilders, plus an additional 30 guilders for copies hand-colored by Merian herself. |
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QUICK LINKS further discussion of Maria Sibylla Merian and her style of scientific research & communication in the GALLERY exhibit, Portraits of Melancholy I * * * |
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BELOW: Advertisement, published 1703, for Maria Sibylla Merian’s forthcoming book of ethnobotany, Metamorphosis insectorum Surinamensium. The advertisement was published in vol. 23 of the scientific journal, Philosophical Transactions of the Royal Society of London.
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BELOW: Anonymous Dutch portrait engraving of Maria Sibylla Merian (from the early 18th century). Shows Merian with some of the exotic specimens brought home with her from Surinam, and displayed at the Stadthaus in Amsterdam.
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